home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
TIME: Almanac 1995
/
TIME Almanac 1995.iso
/
time
/
102593
/
10259923.000
< prev
next >
Wrap
Text File
|
1994-03-25
|
9KB
|
171 lines
<text id=93TT0114>
<title>
Oct. 25, 1993: The Shock Of The Blue
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Oct. 25, 1993 All The Rage:Angry Young Rockers
</history>
<article>
<source>Time Magazine</source>
<hdr>
CULTURE, Page 71
The Shock Of The Blue
</hdr>
<body>
<p>Beavis and Butt-head, Ted and Whoopi, Howard Stern and his Private
Parts: Whatever happened to political correctness--and good
manners?
</p>
<p>By RICHARD ZOGLIN--With reporting by Michael Riley/Atlanta and William Tynan/New
York
</p>
<p> For Beavis and Butt-Head there was only one way to describe
last week, the most difficult of their young lives: it sucked.
MTV's animated teenage miscreants had an unfortunate run-in
with real life. An Ohio mother charged that episodes of Beavis
and Butt-Head, in which they gleefully plan pranks with fire,
incited her five-year-old son to set their mobile home ablaze,
killing his two-year-old sister. MTV responded to the tragedy
with careful public statements, vowing to remove all references
to fire from future shows and reiterating that the characters'
antics are "obviously unacceptable and not to be emulated in
real life." Starting Tuesday, moreover, the network will switch
the show from 7 p.m., when young children are more likely to
watch, to 10:30 p.m. (It also runs at 11 p.m. and 3 a.m.)
</p>
<p> Howard Stern, by contrast, had a terrific week. The radio shock
jock's first book, Private Parts, already has 1 million copies
in print, little more than a week after publication, and has
debuted at No. 1 on the Publishers Weekly nonfiction best-seller
list. Crowds lined up around the block in midtown Manhattan
last week just to get Stern to autograph copies. Quite a response
to a 435-page autobiography filled with explicit sex talk, nasty
put-downs of such celebrities as Johnny Carson and Arsenio Hall,
and rampant ethnic slurs ("How do you like those Hispanic chicks
who dye their hair blond? That's an attractive look. No wonder
some Spanish guys are ready to rape any white woman who comes
along".)
</p>
<p> As for Ted Danson, he's still dealing with the fallout from
a rare stab at stand-up comedy. Appearing at a Friars Club roast
for his lover, Whoopi Goldberg, Danson wore blackface makeup,
made crude jokes about their sex life and freely used a common
derogatory word for black people. New York City Mayor David
Dinkins was offended, and talk-show host Montel Williams resigned
from the Friars Club in protest. But Goldberg stood by her man,
saying she helped write the material herself. "We were not trying
to be politically correct," she said. "We were trying to be
funny for ourselves."
</p>
<p> Increasingly, the two have seemed to be mutually exclusive.
The guardians of political correctness--the careful laundering
of speech, actions and school textbooks to avoid offending women,
ethnic groups and other minorities--have been riding high
in recent years. Editorialists and TV commentators have fumed
at the new censorship, but only now is the edifice of p.c. starting
to take some heavy shelling. The comedians are coming.
</p>
<p> A pop-culture backlash against p.c. was inevitable. Under the
watchful eye of the p.c. police, mainstream culture has become
cautious, sanitized, scared of its own shadow. Network TV, targeted
by antiviolence crusaders and nervous about offending advertisers,
has purged itself of what little edge and controversy it once
had. Hollywood movies, seeking blockbuster audiences, are shying
away from the restrictive R rating (not to mention the dreaded
NC-17) and stressing feel-good family entertainment. Everyone
is watching his or her words; language has grown cumbersome,
self-conscious and freighted with symbolic baggage.
</p>
<p> In such an uptight climate, cultural renegades are doing what
they have always done: trying to shock, offend, liberate. Stern's
gross-out radio act, like his book, is all about saying the
unsayable--at least, within the limits of what the FCC will
allow a station to broadcast and still keep its license. Beavis
and Butt-Head, with their geeky irresponsibility and maddening
Neanderthal laugh, are adolescent ids running wild, doing everything
parents tell you not to--picking their noses, torturing pets,
playing with matches.
</p>
<p> Political correctness, once the province of a small band of
liberal reformers, has been around long enough to become Establishment
orthodoxy--which means it is fair game for satire. It is now
p.c. to make fun of p.c. On last week's episode of Murphy Brown
(arguably the most politically correct show on TV, now that
Designing Women is gone), a newscaster got into trouble for
calling a female fighter pilot a "girl." Audience members at
a town-hall meeting later overreacted with a torrent of p.c.-speak:
a tall woman with glasses, for instance, demanded to be called
"vertically enhanced" and "visually challenged."
</p>
<p> The p.c. backlash is spreading across the cultural plains. A
newly expanded edition of The Official Politically Correct Dictionary
and Handbook, written by Henry Beard and Christopher Cerf, has
just come out, with its tongue-in-cheek catalog of p.c. terms.
(Looters are now "nontraditional shoppers.") At Hooters, a fast-growing
Atlanta-based restaurant chain, waitresses call themselves "Hooters
Girls," wear revealing skintight outfits, and appear on trading
cards that trumpet their measurements. Says Scott Allmendinger,
editor of Restaurant Business: "There's a mainstream of the
American public that's just tired of being politically correct."
And another stream that is still capable of getting teed off.
"Hooters is part of a collective backlash against the progress
that women have made," charges Kim Gandy, executive vice president
of the National Organization for Women.
</p>
<p> To be sure, the p.c. forces are not conceding any ground yet,
as Goldberg and Danson found out. So did comedian Jackie Mason,
who raised a ruckus at a police banquet in New York City when
he referred to members of Mayor Dinkins' administration by the
Yiddish term shvartzer. Mason, who is preparing another one-man
Broadway show this season, entitled (what else?) Politically
Incorrect, got into a similar scrape four years ago, but this
time has responded more defiantly. "I positively don't apologize,"
he said. "I'm telling a joke here."
</p>
<p> Telling jokes has always been somewhat at odds with the p.c.
ethos. To be politically correct, one must be constantly sensitive
to the feelings of others. To be a comedian, one frequently
has to ignore them. People like Stern, says Dr. Harvey Greenberg,
professor of psychiatry at Albert Einstein College of Medicine,
are "part of a narcissistic culture, where you don't always
recognize your impact on other people, and your own little turf
is the most important."
</p>
<p> The difficulty most people have with slash-and-burn comedy is
separating the conceptual satire ("Look how uptight people are
over these words!") from the real-world impact ("How can he
say that about black people?!"). Comedians themselves are much
better at keeping the two distinct. After spewing out ethnic
insults on the Tonight Show, Don Rickles (who is back on TV
this fall in a Fox sitcom) usually let Johnny Carson know what
a sweet guy he really was inside. Stern, after staying aloof
from the press for years, has suddenly turned into a ubiquitous
and cooperative talk-show guest--the big, shaggy "bad boy"
of radio. Friars Club roasts have long served as a sort of free-fire
zone, where offensive material can spew forth uncensored, mainly
because everybody in attendance knows the rules--though, to
the dismay of Danson and Goldberg, not always.
</p>
<p> Beavis and Butt-Head's troubles come from the same sort of confusion.
The two cartoon nerds do not encourage stupidity and cruelty
to animals; they satirize it. The show may actually be an endorsement
of politically correct attitudes, points out Jack Nachbar, professor
of popular culture at Ohio's Bowling Green State University.
"If you have a bigot put in front of you and made to look ridiculous,"
he says, "then that becomes an attack on bigotry. Beavis and
Butt-Head, politically incorrect as they are, are also idiots."
</p>
<p> The problem, of course, is that preteen children--part of
the show's audience--are not very good at catching the distinction.
That is why removing the program from the early evening hours,
when most young kids watch, is a better solution than eviscerating
the show by trying to tone it down. Who wants to watch Beavis
and Butt-Head behave?
</p>
</body>
</article>
</text>